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| 48 Sheet - View from Smallbrook Queensway, Birmingham |
Last September I decided that I needed to challenge myself beyond what I was doing photographically. I started submitting proposals for various projects, one of them being EC-Arts project 48 Sheet. I considered that my abstract images could work on a large scale and thought a billboard was a neat way to exhibit. To my surprise and delight I was selected for the project.
I, along with 28 other artists were selected to create work for the project around the theme of 'cultural curiosity'.
My proposal was for me to work alone in creating an abstract work for the project and I was asked to create a site specific work in and around the Birmingham Market area. I had to think about my work in a new way as I hadn't done anything site specific before. So I set about thinking about my technique and wondering whether there was another element I could add to the mix.
A moment of inspiration came in the form of a project I stumbled upon late last year. I was intrigued by Sam Underwood's Sonic Graffiti project and wondered whether using sound alongside the visual would work. I decided to go with my instincts, so after clearing the idea with EC-Arts I approached Sam; and the rest, as they say, is history.
Because our schedules clashed and Sam lives outside of Birmingham, we decided to work separately and remotely. I wanted something that was abstract and/or ambient so that the pieces complemented each other. He decided to use the way I work as the inspiration for his piece (essentially stretching and movement).
Most of my abstracts are done privately so to do it in a public arena posed a bit of a challenge. In creating any work of this type I develop a technique for each piece of equipment I use, whether that be a smartphone camera or a DSLR. By my own admission I am not as au fait with Photoshop as I should be, so I tend to do everything with my equipment in order to just undertake basic editing. In the end I developed a technique which allowed me to use the camera in a covert way by shooting from the hip whilst still maintaining the development of manipulation.
Below is the original of the final image:
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| Meat Counter - 48 Sheet |
Meat Counter was shot inside the Indoor Market. I wasn't sure how the lighting inside the building would affect the imagery, but it ended up playing a crucial role to the overall effect.
The billboard is now live and is located on Pershore Street (Chinese Quarter Cluster).
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| Billboard at Upper Dean Street/Pershore Street, Birmingham |
At the time of taking the photograph yesterday the weather wasn't doing it much justice. Even so I did notice that buses were lingering a little bit longer than they normally do at the bus stop just a short distance away, and there was a bit of intrigue when I plugged my earphones into the Sonic Graffiti box.
Sam's piece is located just below and you can now listen/download it from his
Sonic Graffiti site. It sounds fantastic in the space.
A very big THANK YOU to
EC-Arts for this opportunity and an even bigger THANK YOU to
Sam Underwood for being such an awesome collaborator.
48 Sheet runs from 2nd-29th April. Check out the
website for further details.